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Here is a little bit more about the releases: 08.30.2010 Hanging with Roscoe 45 (b/w Jump Up, Turn Around, Popcorn!) Here comes the lead single from the upcoming Freestyle album 'Jimmy Ruckus and the Five Fingers of Death'. The B-side is exclusive to the 45, it will not be on the album. Reviews to me 'Jump up, Turn Around, Popcorn' is a killer one! Dope! Explosive beats, brave saxophone, fast five fingers, very emotional and fresh... It's a pure medicine. The spirit of James Brown's 67-69 funk is alive and well through Jump Up, Turnaround Popcorn. I don't think it's a surprise or coincidence the word Popcorn's in the title. Straight outta 74! I'll drop it betwixt some Bootsy era JB's and some Isaac Hayes or Jr. Walker & the Allstars and Lalo Schifrin! FUNKY as HELL! Really good breakbeat on this one. Worth buying just for the cover alone, seriously funky and makes me to take up kung fu again!
07.27.2010 HOT PEAS AND BUTTA VOL. 1 : THE SMOKEOUT Skeme Richards x Big Pimp Jones x Recordbreakin Records, filled with goodies by Elroy Jenkins..really? You need this in your life! About the music: for the 45 itself there are three cuts on the 45: Candyland, The Hot Peas and Butta promo and The Smokeout. If you've seen Big Pimp Jones live over the last 8 years then you've probably caught Candyland, it's been our show-opener ------------------------------------------------------------------------------------------------------------------------------------ 07.04.2010 FRESH OUT THE BOX (FREESTYLE RECORDS) (From the Freestyle Website) When we mentioned to Keith Foster from Philadelphia's Big Pimp Jones that we were putting together this album he responded in 24 hours with 3 mixes of one song which he wanted to submit. We chose the Modern Mix of 'Nasty' for this but maybe we'll see the other mixes on future volumes as they could all have made the cut. A Janet Jackson tune has never sounded so raw! ------------------------------------------------------------------------------------------------------------------------------------ 09.15.2009 BAD BAD JIMMY RUCKUS S/T (From the Freestyle Website) Who knew a movie that never even made it to theatres could create such a buzz? Link here for the Blaxploitation Pride review ------------------------------------------------------------------------------------------------------------------------------------ 2007 (BIG PIMP JONES IS) CLARENCE FOSTER AND THE INTERNAL REVENUE SERVICE 'FRY CHICKEN IN YOUR HOT PANTS' (Out of print) (From the Freestyle Website) Here's a good reason why working a day job pays off - Clarence Foster; a Philadelphia born IRS employee with a whole lot of funk in his trunk. Thankfully instead of continuing the theme and having song titles along the same lines, Mr Foster conjured up tributes to some of his favorite things: Frying chicken, hot pants, and basketball! (From Dustygroove.com) A silly title, but a breaking little monster -- with drums snapping all over the place like a popcorn pot that's cooking up plenty hot -- while guitar riffs back and forth in this dark little way that only makes the drums sound better! "Dunk It Down" is one of the heaviest basketball titles we've ever heard too -- with more great drums, and a bad-stepping bassline that gives the cut a nice touch of JB depth! ------------------------------------------------------------------------------------------------------------------------------------ (Out of print) (From the Freestyle Website) From the Tex-Mex south comes the best band name ever, plus some tight solos all across the horn section. While it can't be fully verified, it seems pretty certain that this one is the brainchild of the same C. Willie that brought us the funk epic 'Korea'. Since the original versions of both songs track back to Houston Texas, it seems pretty certain they're one and the same. This record made 22 hours digging in a Texas warehouse in severe heat well worth it. Now in addition to giving the world some great chicken fried steak, Tomball Texas has something else to brag about. (From turntablelab.com) How do you spell funky as homeless dude's p-nis? This might be the hottest Freestyle 7" yet. It took your jaded blurber by surprise, and caused the rare, subconscious head-nod that he tries to avoid at all costs. Minimal arrangements, hard drums and percussion, horn blasts, and the fonky flute? And forgettabout the b-side, it's a crazy drum track with only a hint of an organ, give the drummer some cocaine! Recommended. ------------------------------------------------------------------------------------------------------------------------------------- (For Dollar Major, Neighborhood Playa, from Rocknworld.com) I was drawn into this CD before I even heard a note. This is a CD that has excellent packaging. The front cover looks like one of those velvet paintings you might see in any blaxploitation film. Luckily, the goodness doesn’t end there. Dollar Major, Neighborhood Playa kicks off with “The Jailbreak,” which is a microcosm of the album. It is a short, hard-hitting funky tune, driven by thumping bass lines. There is also a healthy dose of hip-hop on this album that reminds me a bit of Pharcyde. Perhaps the best example of hip-hop-funk fusion on this album is “We Funk It.” On this track, Jojo Shorty lays down the rhymes to a funked-up version of, are you ready for this, the theme song from “The Transformers.” It is wicked awesome. I prefer the up-tempo songs, but the slow jams like “Uptown” are pretty good too. Another good slow jam on this album is “Let Me Get Naked for You.” I don’t think anything more needs to be said about that one. Where I give this band a lot of credit is in their lyrics. You have to admire a band that can reference Dikembe Mutombo, Eggo, Jedi and Yeti in a song. Especially when that song is called “Funky Cops.” In “Vinyl Killer” Big Pimp Jones delivers the only Bert Blyleven reference I’ve ever heard in a song. That one scored big points with me. This band would be great to see live, if for no other reason than to see Pooky attack the bass. I don’t know how it looks in person, but on disc it sounds like he’s trying to break his bass in two. And that’s a good thing. One thing about this disc is that it is not a disc to listen to discreetly on your headphones at work. This is a CD you want blasting on the stereo with the volume and the bass cranked up. Every song on here is pretty good, although some are a step below the rest. If I have one critique about this album, it’s the length. It’s too short. But then maybe that’s the point. They give you a taste and you’re hooked. I know one thing for sure. It worked on me.
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